"Earth is the element of substance." — Iroh to Zuko on the nature of earth in "Bitter Work".

Earthbending
General information
Source Earth
Learned from Badgermoles
Alternate styles Metalbending, sandbending
Image gallery (107)

Earthbending, one of the four elemental bending arts, is the geokinetic ability to manipulate earth and rock, in all their various forms. It is utilized by people of the Earth Kingdom.

Earth is the element of substance, making earthbenders and their people diverse, strong, persistent, and enduring.^[1] The first earthbenders, Oma and Shu, learned the art from badgermoles.^[2]

The key to earthbending is utilizing neutral jing, which involves waiting and listening for the right moment to strike and, when that moment comes, acting decisively. In other words, earthbenders generally endure their enemies' attacks until the right opportunity to counterattack reveals itself, then strike with unyielding force.^[3]

Contents 1 Notable earthbenders 1.1 Avatar: The Last Airbender 1.2 The Legend of Korra 2 Origin 3 Fighting style 3.1 Earthbending abilities 3.2 Earthbending master level 3.3 Avatar level earthbending 3.4 Special techniques 3.5 Opposing bending art 3.6 Weapons 4 Metalbending 5 Weaknesses 6 Elemental symbol 7 Spirituality and earthbending 8 References 9 See also 10 Comments

Notable earthbenders Edit

Avatar: The Last Airbender Edit

† indicates deceased during the series.

Badgermoles Oma † Shu † Unnamed fire Avatar † Avatar Yangchen † Avatar Kuruk † Avatar Kyoshi † Avatar Roku † Avatar Aang Chin the Great † Sud † King Bumi Toph Beifong Long Feng The Dai Li Royal Earthbender Guards

Master Yu Xin Fu Terra Team General How General Sung General Fong Tyro Haru The Boulder The Hippo Fire Nation Man The Gopher The Gecko Headhunter Canyon guide

The Legend of Korra Edit

† indicates deceased during the series.

Avatar Korra Bolin Lin Beifong The Metalbending Police Force Skoochy Saikhan

Origin Edit

Humans first learned earthbending by observing and imitating the geokinetic powers of badgermoles that naturally inhabit the mountains in what is now Earth Kingdom territory. According to a legend, known widely as "The Legend of the Two Lovers", two star-crossed lovers named Oma and Shu, who hailed from separate villages that were at war with each other, learned the art from these creatures so that they could meet within the mountain that divided them. To make sure no one could ever find them, they used their new abilities to create a labyrinth of tunnels inside the mountain which only they could navigate. One day, after many meetings in the series of passageways, the man did not come to see his lover, as he had died, a casualty of the villages' quarrel. His lover showcased a devastating assault of her powers and ultimately proclaimed the feud over. Then, the villages collaborated to construct a city, Omashu, in their honor. The pathways they made by earthbending became known as the Cave of Two Lovers.^[2]

'Earthbending' is written as 運土術 which in literal terms actually means 'move earth art' in Chinese.

Fighting style Edit

Earthbending is generally based on the Hung Gar style of Kung Fu, which features heavily rooted stances and strong kicks and punches that evoke the mass and power of earth. The martial art is based on the movements of animals, including the tiger, which is utilized when initiating hard blows, and the crane, which is used to land gently back on the Earth.^[4] There are exceptions to this rule - Toph, the blind earthbender's style is based on Southern Praying Mantis Kung Fu, using its precise stepping to maintain contact with the ground for her to "see". Earthbenders, mostly earthbending soldiers and generals, typically travel barefoot to increase their connection with the earth and their power.

Earthbending is also one of the most diverse of the bending arts fighting styles, ranging from the most commonly used earthbending, the rigid and collectively learned earthbending of the Dai Li and the individually taught styles such as Toph's unique earthbending technique. Earthbenders are generally muscular, tough and direct and like all benders, their technique reflects on their individualized personalities.

Earthbending differs from the other bending arts in that it maintains a distinct balance between offensive and defensive capabilities (though waterbending involves a more refined version by channeling defense into offense). Earthbending uses a balance of strength and defense to overwhelm opponents.

The principle of jing is the essence of battle strategy of all bending arts, with a total of eighty-five possible actions. Positive jing occurs when one chooses to fight, while negative jing is when one chooses to evade. The earthbending discipline stresses neutral jing, which involves listening, waiting and attacking at the right moment.^[3] King Bumi stresses this in his tactics against the Fire Nation; he allowed himself to be imprisoned in New Ozai for many months before liberating the city on the Day of Black Sun simply waiting for the right moment to fight and liberate the city.^[5]

The concept of neutral jing is also closely related to the philosophy of "sticky hands", a practice common to some southern Chinese martial arts such as Chu Gar Southern Praying Mantis Kung Fu and Wing Chun. The purpose of sticky hands is to enable the practitioner to predict their opponent's next move. Similar to Toph detecting the movements of others through her connection with earth, a practitioner learns to detect their opponent's upcoming move by maintaining constant contact between their own arm and their foe's arm, may also be between their hands or wrists. By practicing with a partner in this manner, a practitioner will learn to "read" the slight movements of their opponent's arms to detect their next attack and then move accordingly to either strike before the attack is made or move in the same direction with the attack and effectively neutralize it. Concepts such as listening, reacting, balancing attacks and defense and drawing power from a stable lower body are often referred to in the practice of sticky hands, again, closely relating to many primary concepts in earthbending.

According to Iroh, earth is the element of substance.^[1]

Earthbending abilities Edit

Earth and stone levitation: The most common attack involves levitating nearby pieces of earth and stone of numerous sizes (more powerful benders can move larger masses) and propelling them at foes with punching or kicking motions.^[6]

Rock shield: A levitated slab of rock can also double as a shield when positioned in front of a bender. This can also be performed with a slab or sheet of bedrock thrust out of the earth's surface. The shield can be hurled at the opponent for quick retaliation.^[6]

Earth smash: Earthbenders can easily destroy rocks and boulders with punches and kicks, even if they have a very small amount of muscle mass, possibly by making the earth in the rocks weaker, although the exact nature of this technique, if it even is a technique, is never explained. This technique is useful when facing other earthbenders, as it allows the earthbender to destroy any earthen projectiles sent at them and break out of imprisoning techniques. However, it does not seem to affect objects not made of earth.^[6]

Earth sinking: More advanced earthbenders, such as The Boulder, Master Yu,^[7] and General Fong,^[8] can forcibly sink their opponents into the ground, imprisoning them or even suffocating them in earth.

Earthquakes/Fissures: Striking the ground with feet, fists, or hammers, as shown by Gow, creates localized earthquakes or fissures to throw opponents off-balance.^[9] This same process can be used to sculpt a landmass or to slice large chunks of rock clean off a surface to create avalanches or rockfalls. More advanced earthbenders can make very narrow fissures for precise attacks.^[6]

Earth Block: Earthbenders can bring up blocks of earth and launch them at their enemies.^[6]

Earth gauntlet: A much less advanced version of earth armor that can be used to throw back opponents with hard solid force. Aang used this technique when fighting against Azula on the drill.^[10] The technique is useful in that it grants some level of the protection of earth armor but allows the rest of the body to remain flexible.

Quicksand: Earthbenders turn the ground to quicksand to immobilize an enemy,^[11] or to create a soft landing for themselves should they fall from a height. Earthbenders can also do the reverse of this, compacting sand together to create harder projectiles or a firmer grip on the ground.^[12]

Rock slide: If an earthbender is near a cliff or mountain, he or she can cause many rocks of a multitude of sizes to rain down on his or her opponent. The Canyon guide demonstrated that it would be possible to redirect the path of a rock slide. This is shown when he protects his "customers" from getting crushed.^[13]

Earth wall: Earthbenders can create walls of earth, which can be used for both defense and offense, as well as for practical things, like construction.^[6]

Earth column: A more powerful version of rock projectiles, involving forcing columns of rock out of the ground. Using a similar principle, an earthbender can shoot a stream of small ruts and protrusions from underground at their opponent.^[7] This can also be used to enhance the benders' jumps.^[14] It is, however, limited to the ground and does not have the same range as a rock projectile.

Earth line: As an offensive attack, earthbenders can create a line of twisted columns and propel it forward.

Earth material manipulation: Earthbending is not limited to rock or soil alone. An earthbender can also manipulate coal, gems, crystals, and other earth-based materials, like meteorites and jennamite.^[6]

Rock hanging: Earthbenders also possess limited magnetic capabilities, allowing them to grasp vertical surfaces and cling unsupported to earthen structures. The Dai Li are the only ones that have demonstrated this ability, although it may be that they used their earth gloves to cling onto the rocky surface.^[14]

Earth launch: While earthbenders like being rooted to the ground, with some like Toph being unable to see in the air, they can quickly move rock beneath them and launch them several tens of feet into the air, whether to catch airborne opponents or to travel faster. Toph and Bumi do this during the Battle at Wulong Forest and the Liberation of Ba Sing Se, respectively.^[5][15]

Earth shelter: This can be used by earthbenders to create a shelter or dome which can provide an instant shelter in the wilderness. Toph often created shelters like these to sleep in while the Team Avatar was traveling^[6] and used it to create a safe place where a pregnant woman could give birth.^[16] It can probably also be used to trap enemies, but this application would not work against an earthbending opponent, who would be able to cancel out the technique.

Earth compression: It is possible for earthbenders to compress large chunks of rock into smaller, denser chunks, or to compress several smaller chunks into one big piece of rock. Haru and his father Tyro used this technique, compressing several small pieces of coal into one big coal boulder. The fact that two earthbenders were required to perform it suggests that this technique is quite difficult, possibly causing too much strain if done by a single earthbender.^[17]

Water filtering: When working in concert with a waterbender, an earthbender can purify polluted water. The waterbender suspends the polluted water in the air while the earthbender removes the pollutants and sets them aside.^[18]

Earth mannequin: An earthbender with a decent grasp of sculpting can cause human-like figures to sprout out of the ground and slide from place to place. When Toph was pretending to be Fire Lord Ozai as part of a training exercise, she used this technique to simulate the Fire Lord's bodyguards.^[19]

Earthbending master level Edit

Dust cloud: By shaking the ground back and forth, earthbenders can create dust clouds of various size to provide cover.^[7][10]

Earth tunneling: Earthbenders can move through the earth to out-maneuver their foes either by opening tunnels or by pulling the earth past them, literally swimming through the ground.^[10][11]

Earth armor: Earthbenders can bring rocks, dusts, pebbles, or crystals around them and mold them to fit their body and create something similar to armor. They can also hide inside the earth by bending the rock around them as a shell. Later, it is demonstrated by Toph that metal can be used as armor as well.^[15] The earth armor was used by Toph in a training exercise with Aang.^[1] Aang later uses this technique with crystals against Azula,^[20] and again with normal rocks against Combustion Man^[21] and finally Ozai.^[15] This earthbending move is great for defense, especially against fire. It's not as effective for offensive moves, since it limits the practitioner's range of motion.^[4]

Earth wave: High level earthbenders can create a wave of earth to ride on and use it as a form of transportation,^[4] as Aang and Toph have both done,^[20] as well as Roku and Sud while training.^[22] The downsides of the wave are that it takes a lot of energy to produce, as well as intense concentration; the slightest distraction could cause the user to lose control of the wave. They can also force a wave of earth outwards and use it as an extremely powerful offensive attack, as Aang was seen doing at General Fong's fortress.^[8]

Earth bomb: By sending a rock towards the ground, earthbenders can cause massive damage as well as throw their opponents off their feet. Aang used it in against Zuko, almost gaining the upper hand of the battle before the Dai Li intervened.^[20]

Remote earthbending: If an earthbender is suspended from the ground, but is aware that there is earth somewhere near, the earthbender can focus his energies and bend that earth out of his physical reach out of sheer concentration. This was shown in a flashback when Bumi told Team Avatar, sans Aang, how he freed himself during the eclipse. Bumi managed to summon some roof tiles and pieces of walls to rip open the front of his metal coffin.^[5] Aang also uses this technique to summon rocks for his Elemental Sphere while in the Avatar State.^[23]

Avatar level earthbending Edit

Greater earth levitation: With their greater power and stronger connection to the earth, Avatars can move hill-sized statues at will.^[8] Aang moves various earth pillars in his fight against Ozai, both for offense and defense.^[23]

Tectonics: The Avatar can earthbend on a scale vast enough to move entire landmasses, as shown by Avatar Kyoshi when she separated Kyoshi Island from the mainland.^[24]

Powered compression: This is a much more powerful version of the earth compression technique, performed only by Aang while in the Avatar State. Instead of bending large chunks of earth into a single projectile, Aang gathered boulder-sized rocks and simultaneously compress each fragment into smaller, denser and harder rocks, essentially keeping the rocks under pressure for more volatile attacks if needed. Lastly, the rocks are directed to orbit until they are put to use.^[23]

Compressed rock bullets: Used solely by Aang in his fight with Phoenix King Ozai. Aang disintegrated one of his compressed rocks from his Elemental Sphere and shot its shrapnel-like fragments with great speed, in a machine gun-like fashion. Due to the speed and density of these rocks, they did great damage to the landscape.^[23] It is similar to the rock gloves technique used by the Dai Li.^[20]

Special techniques Edit

Sandbending: Sandbenders are earthbenders who have adapted to life in the Si Wong Desert. They use earthbending in a specialized style, which emphasizes the manipulation of sand. They move quickly in the desert on specialized wooden sailers that are propelled by bending miniature, localized sandstorms behind their sails. Because sand is sediment which travels in flows, their style resembles air and waterbending more than earthbending. It is implied that most, if not all, earthbenders are capable of easily bending sand, but because of the loose shifty nature of sand it is not an easy transition for the average earthbender. The sandbenders of the desert are especially proficient with it due to their particular habitat.^[12] After the events at Si Wong Desert, Toph practiced her sandbending, achieving a mastery over it that allowed her to create an extremely detailed sand version of Ba Sing Se.^[19]

Compacting sand: Sandbenders or earthbenders can perform this technique. Compacted sand is very solid and thick. When Wan Shi Tong's Library was sinking Toph used this.^[12]

Mudbending: It has been seen that earthbenders can bend earth in mud as well. Katara halted the flow of the slurry on the back of the drill to prevent Ty Lee from following her. Later on with Toph's aid, they were able to push the slurry back into the drill.^[10] It was also seen when Katara and Toph end up fighting when they were supposed to be training Aang.^[25]

Rock gloves: The Dai Li have mastered the rock glove technique. Similar to an earth gauntlet, they cover their hands in small rocks then project them at a target as bullets or compacted fists to bludgeon the opponent.^[14] A more refined and favored method however is to use them as detachable hands, maintaining the hand shape and literally grabbing and restraining the opponent from a distance.^[26]

Rock shoes: The Dai Li also used shoes made out of earth to slide to travel faster and to cling to walls and suspend themselves on the ceiling, as Long Feng and the Dai Li used in lake Laogai during their fight with Team Avatar and the reformed Freedom Fighters. It is expected that they could also be used like rock gloves to extend the range of kicks.

Seismic sense: A technique originally developed by the blind badgermoles, skilled earthbenders are able to sense vibrations through the ground, "seeing" by sensing their surroundings and making a mental image of it. It allows for a 360 degree field of "vision", outside of normal line-of-sight.^[7] To operate, the user needs direct contact with the ground, preferably without something like shoes in between.^[27] The technique isn't applicable on all surfaces, as Toph was incapable of this while standing on ice.^[16] Being blind, Toph constantly uses this technique to navigate the world; she describes it as "kind of like seeing with my feet".^[7] During his training with Toph, Aang also developed this ability; they are the only known humans to use this technique. Aang used this during a three-way training spar with Toph and Katara,^[25] and again during his fight against Ozai.^[23] Due to Toph's extensive use of the technique, she has discovered other applications of it. Her seismic sense is so acute that she is capable of sensing even ants moving about,^[7] can identify people by the way they walk,^[28] and can almost always tell if someone is lying by sensing his or her physical reactions, such as breathing and heart rate.^[14][29] It is also the basis of her unique ability of metalbending.^[30]

Opposing bending art Edit

Earthbending is the opposing bending art to airbending. When first learning to earthbend, the pupil must first learn confrontational tactics and familiarity with the brute strength necessary to work with earth. This contrasts with the emphasis of airbenders on mobility and evasion. Earthbenders require a firm root in the ground, while airbenders are constantly moving. This is illustrated when Aang initially had great difficulty trying to learn earthbending from Toph.^[1]

Like all of the bending arts, earthbending is balanced so as not to be more or less powerful than the other arts. The series has repeatedly illustrated that it is the skill and prowess of the user that determines victory.

Weapons Edit

Earthbenders have been known to use hammers and fans to augment their bending, and it has been stated that the Chinese great sword dadao, a heavy war sword, or literally "big knife", would also be best-suited for a strong earthbender. Aang has also demonstrated earthbending by wielding his glider-staff. In addition, Gow has demonstrated earthbending with his war hammers.^[9] Theoretically, giant maces and axes could work well. Avatar Kyoshi was well known for using her twin fans to assist her in her bending forms, but particularly in earthbending.^[24]

Metalbending Edit

Main article: Metalbending

Metalbending is a ferrokinetic sub-skill of earthbending developed by Toph. Most earthbenders are unable to affect processed metals. Usually, the trace amount of earth still present in metal is so minuscule that it goes undetected even by the best earthbenders, lending to its use in detaining earthbenders. However, due to her ability to "see" earth, Toph is able to locate the small fragments of earth in metal, target them, and utilize them to "bend" the metal portion. In the beginning, she was not able to bend metal with the same power or ease seen in normal earthbending.^[30] Eventually, her skill with metalbending developed to the point where she could effectively defeat comet-enhanced firebenders during the Battle at Wulong Forest with the technique.^[15] After the Hundred Year War, Toph founded a metalbending academy to teach the skill to other earthbenders, and the technique eventually became the primary weapon of the Metalbending Police Force in Republic City.

Weaknesses Edit

Earth connection: An earthbender's powers are firmly rooted to the ground on which they stand. Removing them any substantial distance from the earth, such as in the air or on the ocean, strips them of their ability to bend. However it has been shown that earthbenders are still able to earthbend if the ground connecting them to the earth is made of metal.^[17] Particularly powerful earthbenders, such as Bumi, are able to bend effectively with the smallest gestures,^[3] and quite possibly with sheer concentration, as shown in the flashback in which he frees himself and takes back Omashu during the Day of Black Sun.^[5] Earthbending has a distinct advantage or disadvantage as a form of martial art depending on the amount of earth present in the vicinity.

Metal and wood: An extension of the last weakness, because nearly all earthbenders do not know how to bend processed metals, the bending abilities of an earthbender can be negated by securing them within a metallic barrier, separating them from any contact with the earth. Toph, however, as the inventor of metalbending, is an exception to this. Wood, contrary to the Western notion of earth, cannot be subject to earthbending because it is neither a mineral nor mineral-like.^[25]

Reliance on the lower body: Earthbending is at its strongest when the feet are in direct contact with the ground, enabling them to transfer their kinetic energies into their bending for fast and powerful moves. Zuko accidentally burned Toph's feet, forcing her to flee by crawling on all fours. Zuko tried to apologize and Toph tried using her hands to bend, but the result was weaker bending that was easier to dodge, as shown by Zuko. Eventually, the effort placed on bending with her hands causes her to flip onto her back, and at that point, she was in full contact with the ground and was able to launch a tall rock pillar, which the ex-Fire Nation prince was unable to dodge.^[31] This weakness is very similar to how disabling a waterbender's arms prevents them from bending, but the exception to this was when Katara managed to generate a larger-than-normal water whip just by using her legs.^[26] Since a skilled earthbender could overcome this weakness by bringing the other parts of their body in contact with the earth, as stated above, the danger level of this weakness could be debated.

Elemental symbol Edit

The symbol for earth and earthbending is a tall rough isosceles trapezoidal shape, the base of which is made up of the Bagua trigram "Kun", denoting "earth". Inside, at the top, is a spiral running left. The symbol is present on wooden "elemental solitaire" cards owned by Iroh.^[32] In a way, this symbol vaguely resembles a seated badgermole.

Spirituality and earthbending Edit

Avatar Wiki has 107 images related to Earthbending.

Earthbending is explored in depth while Toph was teaching Aang and Iroh was teaching Zuko.^[1] It is rooted in the Hung Gar style of Kung Fu. Hung Gar, characterized by its rooted stance, also stresses the use of animal movements, the Tiger and the Crane. The Tiger embodies Hard Power, while the Crane embodies Soft Power. Earthbending also expresses the aspect of neutral jing, which involves listening and waiting.^[3] Finally, earthbending requires decisiveness; when the time comes to strike, it must be done without hesitation or uncertainty. If an earthbender lacks determination, the earth will not respond to their will. Being connected to the earth is also a very important aspect of earthbenders' spirituality.

References Edit

↑ 1.0 1.1 1.2 1.3 1.4 "Bitter Work". Aaron Ehasz (writer) & Ethan Spaulding (director). Avatar: The Last Airbender. Nickelodeon. June 2, 2006. No. 9, Book 2: Earth ↑ 2.0 2.1 "The Cave of Two Lovers". Joshua Hamilton (writer) & Lauren MacMullan (director). Avatar: The Last Airbender. Nickelodeon. March 24, 2006. No. 2, Book 2: Earth ↑ 3.0 3.1 3.2 3.3 "Return to Omashu". Elizabeth Welch Ehasz (writer) & Ethan Spaulding (director). Avatar: The Last Airbender. Nickelodeon. April 7, 2006. No. 3, Book 2: Earth ↑ 4.0 4.1 4.2 From older Avatar: The Last Airbender official site, originally on Nick.com (link). No longer updated. ↑ 5.0 5.1 5.2 5.3 "Sozin's Comet, Part 2: The Old Masters". Aaron Ehasz (writer) & Giancarlo Volpe (director). Avatar: The Last Airbender. Nickelodeon. July 19, 2008. No. 19, Book 3: Fire ↑ 6.0 6.1 6.2 6.3 6.4 6.5 6.6 6.7 Throughout Avatar: The Last Airbender. ↑ 7.0 7.1 7.2 7.3 7.4 7.5 "The Blind Bandit". Michael Dante DiMartino (writer) & Ethan Spaulding (director). Avatar: The Last Airbender. Nickelodeon. May 5, 2006. No. 6, Book 2: Earth ↑ 8.0 8.1 8.2 "The Avatar State". Aaron Ehasz, Elizabeth Welch Ehasz, Tim Hedrick, John O'Bryan (writers) & Giancarlo Volpe (director). Avatar: The Last Airbender. Nickelodeon. March 17, 2006. No. 1, Book 2: Earth ↑ 9.0 9.1 "Zuko Alone". Elizabeth Welch Ehasz (writer) & Lauren MacMullan (director). Avatar: The Last Airbender. Nickelodeon. May 12, 2006. No. 7, Book 2: Earth ↑ 10.0 10.1 10.2 10.3 "The Drill". Michael Dante DiMartino, Bryan Konietzko (writers) & Giancarlo Volpe (director). Avatar: The Last Airbender. Nickelodeon. September 15, 2006. No. 13, Book 2: Earth ↑ 11.0 11.1 "The King of Omashu". John O'Bryan (writer) & Anthony Lioi (director). Avatar: The Last Airbender. Nickelodeon. March 18, 2005. No. 5, Book 1: Water ↑ 12.0 12.1 12.2 "The Library". John O'Bryan (writer) & Giancarlo Volpe (director). Avatar: The Last Airbender. Nickelodeon. July 14, 2006. No. 10, Book 2: Earth ↑ "The Great Divide". John O'Bryan (writer) & Giancarlo Volpe (director). Avatar: The Last Airbender. Nickelodeon. May 20, 2005. No. 11, Book 1: Water ↑ 14.0 14.1 14.2 14.3 "Lake Laogai". Tim Hedrick (writer) & Lauren MacMullan (director). Avatar: The Last Airbender. Nickelodeon. November 6, 2006. No. 17, Book 2: Earth ↑ 15.0 15.1 15.2 15.3 "Sozin's Comet, Part 3: Into the Inferno". Michael Dante DiMartino, Bryan Konietzko (writers) & Joaquim Dos Santos (director). Avatar: The Last Airbender. Nickelodeon. July 19, 2008. No. 20, Book 3: Fire ↑ 16.0 16.1 "The Serpent's Pass". Michael Dante DiMartino, Joshua Hamilton (writers) & Ethan Spaulding (director). Avatar: The Last Airbender. Nickelodeon. September 15, 2006. No. 12, Book 2: Earth ↑ 17.0 17.1 "Imprisoned". Matthew Hubbard (writer) & Dave Filoni (director). Avatar: The Last Airbender. Nickelodeon. March 25, 2005. No. 6, Book 1: Water ↑ "The Painted Lady". Joshua Hamilton (writer) & Ethan Spaulding (director). Avatar: The Last Airbender. Nickelodeon. October 5, 2007. No. 3, Book 3: Fire ↑ 19.0 19.1 "Sozin's Comet, Part 1: The Phoenix King". Michael Dante DiMartino (writer) & Ethan Spaulding (director). Avatar: The Last Airbender. Nickelodeon. July 19, 2008. No. 18, Book 3: Fire ↑ 20.0 20.1 20.2 20.3 "The Crossroads of Destiny". Aaron Ehasz (writer) & Michael Dante DiMartino (director). Avatar: The Last Airbender. Nickelodeon. December 1, 2006. No. 20, Book 2: Earth ↑ "The Beach". Katie Mattila (writer) & Joaquim Dos Santos (director). Avatar: The Last Airbender. Nickelodeon. October 19, 2007. No. 5, Book 3: Fire ↑ "The Avatar and the Fire Lord". Elizabeth Welch Ehasz (writer) & Ethan Spaulding (director). Avatar: The Last Airbender. Nickelodeon. October 26, 2007. No. 6, Book 3: Fire ↑ 23.0 23.1 23.2 23.3 23.4 "Sozin's Comet, Part 4: Avatar Aang". Michael Dante DiMartino, Bryan Konietzko (writers) & Joaquim Dos Santos (director). Avatar: The Last Airbender. Nickelodeon. July 19, 2008. No. 21, Book 3: Fire ↑ 24.0 24.1 "Avatar Day". John O'Bryan (writer) & Lauren MacMullan (director). Avatar: The Last Airbender. Nickelodeon. April 28, 2006. No. 5, Book 2: Earth ↑ 25.0 25.1 25.2 "The Runaway". Joshua Hamilton (writer) & Giancarlo Volpe (director). Avatar: The Last Airbender. Nickelodeon. November 2, 2007. No. 7, Book 3: Fire ↑ 26.0 26.1 "The Earth King". John O'Bryan (writer) & Ethan Spaulding (director). Avatar: The Last Airbender. Nickelodeon. November 17, 2006. No. 18, Book 2: Earth ↑ "The Headband". John O'Bryan (writer) & Joaquim Dos Santos (director). Avatar: The Last Airbender. Nickelodeon. September 28, 2007. No. 2, Book 3: Fire ↑ "City of Walls and Secrets". Tim Hedrick (writer) & Lauren MacMullan (director). Avatar: The Last Airbender. Nickelodeon. September 22, 2006. No. 14, Book 2: Earth ↑ "The Day of Black Sun, Part 2: The Eclipse". Aaron Ehasz (writer) & Joaquim Dos Santos (director). Avatar: The Last Airbender. Nickelodeon. November 30, 2007. No. 11, Book 3: Fire ↑ 30.0 30.1 "The Guru". Michael Dante DiMartino, Bryan Konietzko (writers) & Giancarlo Volpe (director). Avatar: The Last Airbender. Nickelodeon. December 1, 2006. No. 19, Book 2: Earth ↑ "The Western Air Temple". Elizabeth Welch Ehasz, Tim Hedrick (writers) & Ethan Spaulding (director). Avatar: The Last Airbender. Nickelodeon. July 14, 2008. No. 12, Book 3: Fire ↑ "The Boy in the Iceberg". Michael Dante DiMartino, Bryan Konietzko (writers) & Dave Filoni (director). Avatar: The Last Airbender. Nickelodeon. February 21, 2005. No. 1, Book 1: Water

See also Edit

• Airbending
• Waterbending
• Firebending
• Energybending
• Earth Kingdom
• Earthbending training
• Badgermole
• Bending arts